Constructing Person And Group Timbre Places For Sharpness-Matched Distorted Guitar Timbres

WI. L.. Martens, and A. Marui, "Constructing Individual and Group Timbre Areas for Sharpness-Matched Distorted Guitar Timbres," Paper 6627, (2005 October.). WI. L.. Martens, and A. Marui, "Constructing Person and Group Timbre Areas for Sharpness-Matched Distorted Guitar Timbres," Paper 6627, (2005 October.). Abstract: In a previous study on predicting timbral variation resulting from distortion-based results processing, two types of immediate ratings were collected from a large band of na¨ive topics (around 50) for a couple of sharpness-matched guitar timbres; first on a dissimilarity scale and then on 11 bipolar adjective scales. For the current study, identical data were collected from five trained topics to allow for a comparison between outcomes derived for every of the trained subjects and the previously reported group outcomes. To investigate guitar electric wiring in how individuals might describe these distorted guitar timbres, the trained subjects’ adjective ratings were submitted individually to analysis using a method motivated by Repertory Grid Technique (RGT), and also becoming submitted for MultiDimensional Unfolding (MDU) analyses.

AB - In a previous study on predicting timbral variation caused by distortion-based effects processing, two types of direct ratings were gathered from a large group of na¨ive topics (around 50) for a couple of sharpness-matched guitar timbres; 1st on a dissimilarity scale and then on 11 bipolar adjective scales. For the current study, equivalent data were gathered from five trained subjects to permit for a evaluation between results derived for every of the trained topics and the previously reported group outcomes. To investigate differences in how people might explain these distorted guitar timbres, the trained subjects’ adjective ratings were submitted individually to analysis utilizing a technique influenced by Repertory Grid Technique (RGT), and also getting submitted for MultiDimensional Unfolding (MDU) analyses. In a previous research on predicting timbral variation resulting from distortion-based results processing, two types of immediate ratings were collected from a large band of na¨ive topics (around 50) for a set of sharpness-matched guitar timbres; initial on a dissimilarity level and on 11 bipolar adjective scales. For the existing study, comparable data were collected from five trained subjects to allow for a assessment between outcomes derived for every of the trained subjects and the previously reported group outcomes. To research differences in how individuals might describe these distorted guitar timbres, the trained subjects’ adjective ratings were submitted separately to analysis utilizing a technique motivated by Repertory Grid Technique (RGT), and also becoming submitted for MultiDimensional Unfolding (MDU) analyses. Click to get paper as a nonmember or login as an AES member. If your company or school subscribes to the E-Library then change to the institutional edition. If you are no AES member and would like to subscribe to the E-Library then Sign up for the AES!

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